sjtuaaa.com - Jazz Music Night

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DomainsData.org: Jazz Music Night

Title:

Jazz Music Night
Age:

0 years old
Alexa Rank:
Total Sites Linking In (Alexa):

0
Domain's IP Country:

United States
Status Code:

OK
IP Address:

198.54.114.196
Description:

About Music
Keywords:

sjtuaaa.com Whois Information:

1.

Domain Name:

sjtuaaa.com
2.

Domain Age:

0 years old
3.

Name Server 1:

rs142.registrar-servers.com
4.

Name Server 2:

rs42.registrar-servers.com
5.

Created:

Monday 15. February 2016
6.

Expires:

Wednesday 15. February 2017
7.

Domain Registrar:

Internet Domain Service BS Corp.

Website Important Html Tags:

TAG
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Bastille Bait
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Euro-bébé
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Requin Bait
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Fräulein Gall
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Mrs. Berger
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Morte
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Vive France!
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Popular Dance Songs
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House Music Artists
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Dance Music and Movies
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Weekend Activities
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She and Berger shared airtime on a radio show in early 1974; France asked him to critique some songs she had planned to record. He didn’t like what she had selected, and she asked if he would consider writing for her. In 1974, the two started a romance that led to a fruitful musical partnership. Berger composed an LP’s worth of material for her, which she cut in 1975. The two married in 1976.
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Her recording was spotty in the 1970s, though. She cut a disco LP in 1977 that yielded two hit singles. Other than the singles she did before meeting Berger, she didn’t do much in that decade.
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She made
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Credit: Public domain courtsey Carl Van Vecthen.
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Credit: Public domain courtesy Carl VAn Vachten
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A Tisket, A Tasket – Ella Fitzgerald with Chick Webb’s Orchestra
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Alexander’s Ragtime Band – Bing Crosby & Connee Boswell / Boswell Sisters
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All Of Me – Louis Armstrong / Paul Whiteman (Mildred Bailey)
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All Or Nothing At All – Frank Sinatra with Harry James
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And The Angels Sing – Benny Goodman (Martha Tilton)
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At The Woodchoppers Ball – Woody Herman
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The 30s
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Popular Songs of the 1930s
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The Importance of Buddy Holly in Music History
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Categories
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Solo vs. Ensemble
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Replication vs. Improvisation
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Homophony vs. Polyphony
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Saloons vs. Weddings
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Lolita du Gaul
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Indian Classical
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Folk and Street
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Western Classical
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Rock
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History
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Types
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Traditionally, ragtime music is played by a single piano. Although many ragtime players do use other instruments, most notably the banjo or the guitar, the music is generally thought of as being played by the piano. Jazz, on the other hand, is almost always played by a group of musicians on instruments like the piano, trumpet and trombone. It’s possible to find pieces that stray from this instrumentation, but they generally hold true as a difference between the two genres.
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Jazz depends heavily on improvisation. The only fixed version of many jazz songs is the particular version that has been recorded. Finding transcriptions of jazz records can be difficult, and many musicians have to learn new songs by listening to other musicians perform them. With the improvisational spirit prevalent in jazz, learning each individual note played by the original performer isn’t that important. Ragtime music, on the other hand, is often written down, and the songs are more musically structured than jazz.
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Jazz music is heavily textured musically. The multiple instruments often play their own section and this provides an overall richness and depth to the sound. This is one way in which jazz can be similar to ragtime, because both use syncopation, but ragtime music is strictly homophonic. This means there is one musical voice, while polyphonic means there are multiple. Syncopation, a common factor in ragtime and jazz, means that the music changes so that the previously weaker beat is accentuated.
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The setting in which ragtime and jazz are played is the final key difference between the two genres. Ragtime music is more dance-oriented and was generally used as background music in locations such as saloons or homes. Jazz music wasn’t limited to such informal scenarios, and was often played at functions such as weddings, balls, funerals and parades.
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The major traditions of Indian classical music, Carnatic and Hindustani, both rely on improvisation. Musicians improvise nearly all of the music when performing a raga, which is a series of notes used as a framework for a single performance. Raga performances must reflect the time of day, season and mood of the audience in their improvisation, and can therefore be different each time a musician performs.
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Many forms of folk music from around the world incorporate improvisation into their performances. Examples include Gypsy musicians in Europe and the Middle East and fiddle and banjo players in early American rural life. Street musicians often improvise the lyrics to music they perform, such as corridos in Mexico or freestyle raps in urban areas of the United States and Canada. Musicians perform many such songs differently each time because the songs move from performer to performer aurally, without a written version to rely on.
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Improvisation once played a larger role in Western classical music than today. Composers included fewer details in their scores until the 19th century and expected performers to interpret their compositions more freely. Mozart, Beethoven and Bach all performed improvised music during their lifetimes. The cadenza, a specified portion of a classical composition that is not written out and thus must be improvised, is the only remaining vestige of this tradition.
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Rock music incorporates improvisation in several ways. Psychedelic rock music in the 1960s and 1970s featured musicians who performed extended guitar solos that lasted more than 10 minutes at a time, while the typical rock song is three to five minutes long. The Grateful Dead incorporated longer improvisations into their live concerts, during which the entire band would improvise for up to an hour or longer. The “jam band” subgenre of rock music includes bands whose performances often include extended improvisations over a set rhythm or chord progression.
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Recordings of jazz began to emerge in 1917, but it most likely existed in some form before then. Jazz stemmed from blues and ragtime, two styles some consider to be the first forms of jazz. The black Creole subculture of New Orleans became the epicenter for jazz. These people were Spanish and French-speaking individuals who rose to a high cultural status in the 19th century. Opposite the Creole culture were uneducated and poor African Americans, and a segregation law brought these two cultures together, mixing the Parisian-educated Creole musicians and blues and gospel-singing African Americans. Since its birth, jazz has evolved into an art form and is the subject of studies at universities worldwide.
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Ragtime is perhaps the first style of jazz music, and it features syncopation, or a rhythm that places emphasis on a beat that is typically not emphasized. Classic jazz is the style that stemmed from the merging of Creole and black culture in New Orleans, and its characteristic is the inclusion of big-band instruments, including saxophone, clarinet, trumpet, trombone and tuba. In 1925, “hot jazz” emerged with Louis Armstrong and his impressive improvised solos. The use of improvisation continued with Chicago-style jazz. By the 1930s, there was a surge of the swing style, which included big band instruments and dancing. Also during this time, the Kansas City style emerged as small ensemble swing and soul. Gypsy jazz, invented by Django Reinhardt, combined American swing and French dance music. Bebop, developed in the 1940s, focused on improvisation not only from the melodic line, but also from the harmony. “Cool” jazz emerged in the 1940s as a combination of bebop and classic jazz. Modern jazz is more free-flowing and improvisational.
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Jazz had its inception in New Orleans, but it is now a nationwide and even worldwide spread. Many styles of jazz take their names from the city where it was developed, such as Kansas City jazz and Chicago jazz. Cool jazz was nicknamed “West Coast Jazz” when it began, as it was formed in the Los Angeles area.

sjtuaaa.com IP Information:

1.

Ip Address:

198.54.114.196
2.

Country:

United States
3.

Status Code:

OK
4.

Region Name:

Texas
5.

City Name:

Austin
6.

Zip Code:

78735
7.

Speed test:

20.0 ms

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